IASPR Forum: Romantic Comedies - IASPR Forum

Jump to content

Page 1 of 1
  • You cannot start a new topic
  • You cannot reply to this topic

Romantic Comedies

#1 User is offline   Laura Vivanco

  • Newbie
  • PipPipPip
Group:
IASPR Member
Posts:
51
Joined:
11-July 09
Interests:
I'm currently working on (some of) Harlequin Mills & Boon's romances, romances by Jennifer Crusie and romances by Georgette Heyer.

Posted 18 July 2010 - 05:11 PM

I saw an announcement about the following conference and thought it might be of interest:

Quote

Romcom Actually: A Two-Day International Conference on Romantic Comedy in Film and Television, Leicester, UK, 2 - 3 March 2011.

Hosted jointly by the Cinema and Television History (CATH) Research Centre, De Montfort University and the School of Film and Television Studies, University of East Anglia

Wednesday 2nd – Thursday 3rd March 2011 at the Faculty of Humanities, De Montfort University, Leicester, UK

Plenary speakers:

Peter Evans (Queen Mary, University of London)
Tamar Jeffers McDonald (University of Kent)

Call for papers

Proposals are invited for papers on all aspects of romantic comedy, a key screen genre from the days of early sound cinema to present day chick flicks and TV series like Sex and the City. Simultaneously scrutinising the present state of the genre and delving into its illustrious past, this conference seeks to reveal why, in the words of Richard Curtis, ‘love actually is all around’ in film and television worldwide.

Please send a 200 word abstract for a 20 minute paper, and a brief biographical statement, to Ian Hunter (iqhunter@dmu.ac.uk) and Melanie Williams (Melanie.Williams@uea.ac.uk).

Deadline for proposals: 1 December 2010

Topics of interest may include but are not limited to:

• Historical development of the romcom and its cycles and sub-genres
• National variations in romcom
• Medium specificities of cinema and television romcom
• Romcom auteurs, from Ernst Lubitsch and Woody Allen to Nancy Meyers and Nora Ephron
• Critical reception
• Fan cultures
• Marketing the romcom
• Questions of race, sexuality, age, gender and class.
• Formal analysis of conventions and motifs such as the ‘meet cute’
• Stars and performance
• Generic hybridity (e.g. zom-coms)
• Intertextuality and remakes
• Music
• Romcoms in adaptation
• Romcoms and chick-lit
The details came from here.
-36

Page 1 of 1
  • You cannot start a new topic
  • You cannot reply to this topic

1 User(s) are reading this topic
0 members, 1 guests, 0 anonymous users